Monday, January 28, 2019

The Rising of The Shield Hero Episodes 1-3 Review




I was originally planning to review The Rising of The Shield Hero once I’ve seen all the episodes. However, it’s not so often in my time as an anime/cartoon fan that a series got me super hyped after the first few episodes that I want to openly talk about it while anticipating what happens next. Imagine an episode of Dragon Ball Super or Steven Universe where nothing really happens, yet you get so hyped about it anyway. It’s the same with The Rising of The Shield Hero (or I’ll call it as simply ‘Rising’), except there’s a number of reasons why this series got me hooked.

I personally never read the original Light Novel or the earlier manga adaptation. But Rising got under my radar when news reports from places like ANN and Sankaku Complex came on the controversy surrounding the series pilot. For context, let me give you the rundown:

The series begins with one Naofumi Iwatani, your typical NEET or modern day hermit who spends most of his time on anime and gaming, never goes to work, and gets his money from his parents. In one of the rare occasions he decides to leave his home, Naofumi visits the local library and opens a book where he is transported into a fantasy world. He meets three other people, who also arrived on similar circumstances and learn that they are all summoned because the locals believe they are the Four Legendary Heroes that would save their world from the Wave, a catastrophe where various monsters come down wrecking everything in their path.


The four receive their respective weapons as heroes with the exception of Naofumi, who only gets a shield. As the Shield Hero, Naofumi is magically forbidden to equip any weapons, as he is exclusively for defense. Add that, like a typical RPG, the heroes need to gain experience to be able to fight off the Wave, and Naofumi becomes ridiculed for his inability to fight, with several adventurers not interested in joining party save one – a woman named Myne, who guides Naofumi in everything he needs to get started.


This is where the controversy comes in. Naofumi was later arrested on accusations of raping Myne, with planted evidence that he has done the deed. We then learn that Myne made up the false rape accusations to avoid being pinned for stealing all of Naofumi’s gear and money, and has joined the party of the Spear Hero. As Naofumi is still vital to stopping the Wave and can only return to his world once the threat is fully neutralized, Naofumi is let go but is shunned by everyone, and his character changed drastically as a result. He still needs to level up, somehow and fight off the incoming Wave.

The above controversy gave Rising a lot of bad press even from places like Anime News Network, who lambasts it for reasons that you, the reader, I assume already know. It’s not that long ago that Goblin Slayer also received flak for similar reasons. Both also receive negative reviews over those scenarios. Yet in spite of all that, Goblin Slayer and Rising receive a lot of praise from anime fans as they are actually quite good shows. And I tend to agree with that.


Personally, Myne’s actions are similar to that of Lupin III’s Fujiko Mine. Both use their charms to seduce their men, and then run off stealing the goods while leaving them in the dust. The difference mainly is that Fujiko never uses a false rape or similar accusation against Lupin, since she occasionally gets him into a lot of trouble, anyways – and in many cases, intentionally.

One of the factors that made me love Rising was Naofumi. Similar to characters like Naruto, Naofumi starts off as weak and not much love from everyone around him. This trope is deviated further in the restrictions applied to him as the Shield Hero. Rather than try to clear his name and gain the acceptance of the people, Naofumi doesn’t care about it anymore and tends to prepare to fight the Wave by any means necessary. It’s like when a babyface wrestler turns heel for a shot at the world championship belt and win it, even if it means cheating his way through. Naofumi does this so well he becomes a likable protagonist, while still in a very underdog-like position.

Another is the appearance of the series’s secondary protagonist, Raphtalia. As a raccoon-dog demi-human, she’s a young girl who Naofumi takes in as his slave and trains her to be his swordsman in combat. While appearing harsh on Raphtalia as he needs her to ready to fight the Wave for him in a short amount of time, he does care about her and treats her like a daughter-like figure. This results in quite the chemistry between the two that it’s great seeing them together. Raphtalia has quite the charisma in her design and character that, as a viewer, you would want to protect her, while also train her to be your sword. I am also surprised that the slave concept in this series isn’t that frowned upon unlike the false rape scenario.



The anime adaptation of Rising is produced by Kadokawa, who has produced a lot of anime under their belt and a number of them received high acclaim recently, among them are Made in Abyss, Kemono Friends, The Boy and The Beast, Your Name, and Mirai (which is nominated for this year’s Oscars as Best Animated Feature). You can see how Kadokawa is quite serious in terms of production quality in their works, and Rising does not disappoint one bit. It’s also worth noting that the pilot episode was an hour long (if you add in the commercials), an single anime episode with that kind of runtime is rarely seen these days, and it does work to establish what the Rising is about and getting people like me anticipate the next episode.

So yes, The Rising of The Shield really impressed me and I am glad that this series will run for 25 episodes. And I got hooked so much I just can’t wait for the next episode. As long as it doesn’t falter later, I would make it an early pick for Anime of The Year for 2019. So for the first three episodes of The Rising of The Shield Hero, on the scale of 1 to 5, they all get perfect scores.

Friday, January 25, 2019

Steven Universe Season 6 plans


Full Disclosure: I pretty much dropped Steven Universe after Season 4. So I'm pretty much out of the loop as to what happened up until the finale. I may check Season 5 eventually if I feel like it.

On the Steven Universe podcast, creator Rebecca Sugar, co-Executive Producers Kat Morris and Joe Johnston, writers Matt Burnett and Ben Levin, and former Executive Producer Ian Jones-Quartey discuss about plans for Season 6 of Steven Universe.

Below are some highlights of the podcast:
- The episode starts with the rainbow worm in Steven’s dream, who is voiced by Deedee. This is the last homage to the princess references in the arc. The worm is from the Kyanite colony and was brought to Homeworld by Pink, which Blue allowed, but then Pink released all worms in the ballroom. Rebecca mentions this links with Pink’s desire to be free by releasing animals from their colonies.

- This specific princess reference was to Jasmine (in Aladdin) opening the cage and allowing the birds to fly free. It was also a reference to Pink’s love of animals and wanting to set them free, which isn’t out of character for Steven either.

- For Diamond Days, they picked the most common princess tropes for Steven’s time on Homeworld and made this experience alienating for him.

- Rebecca states that the Diamonds are meant to exist as a body- the inspiration for the ship. Pink is the Id, Blue and Yellow are the Ego, and White is the Super Ego. This is represented in Change Your Mind where the collective mind experiences embarrassment when the Id demands they enjoy something.

- Kat admits that they came up with the new outfits by continuously emailing each other with ideas. Rebecca said they considered everything but there were some concepts that they really wanted, for example, Rainbow 2.0 would have a scarf and a jacket. It was important either way that the fusions would notably have Steven’s clothes and the gems. However, the fusions would hint at the new forms and Pearl didn’t end up having a scarf, but she did have the jacket. Later, McKenzie asked if the jacket was a throwback to Bad Pearl and Rebecca confirmed that it represented her independence.

- One of Garnet’s new designs included transparent glasses and Peridot’s glasses in the shape of a star. Kat came up with the idea for the shredded shorts and star pockets for Amethyst.

- All of the new outfits represent how the gems have changed and learned from Steven.

- Rebecca mentioned that Pearl has been ‘playing the field’ and ‘exploring who she is’, which started in Last One Out of Beach City.

- Lapis has gold accents on her new outfit to match the real-life gem stone. Kat said that Rebecca really wanted the sandals for Lapis and it makes for comfortable cosplay.

- Joe said that he enjoyed a lot of Garnet’s new designs. Most ideas were based off superheroes and had a more ‘nightly’ aspect.

- They confirmed that they tried Peridot’s new design with star hair but it was too much. Rebecca said that the glasses already change her silhouette and expose her gem more.

- Peridot also has boots this time. Before, she had socks because she used to wear limb enhancers.

- Mary Poppins and Bert were the inspiration for Rainbow 2.0. These concepts were made by Joe around 2-3 years ago. Sunstone was a newer concept.

- Rebecca said that all Garnet fusions can break the fourth wall, but with Steven, it would break it to give advice to children. The suction cups are also a combination of Steven’s shield and Garnet’s gauntlets. When creating Sunstone, Rebecca wanted her to look like a toy that you could stick in the back window of a car with suction cups.

- Alistair James auditioned for Rainbow 2.0 by doing an impression of his grandmother with a British accent. Rebecca said that Shoniqua was perfect and she knew immediately that she wanted her for Sunstone. She sounded exactly like how Miki Brewster pitched her.

- For Obsidian, they’d had her concept from the very beginning since she was shown as the temple. It was a hidden in sight visual that would eventually pay off.

- Obsidian’s sword is in the ocean, which is a part of the temple. It’s first seen in Bubble Buddies and seen again in Ocean Gem when the ocean is cleared. The sword design changed over time to ensure that all the Crystal Gem’s weapons could fit into the design.

- The earliest inspiration for White Diamond is traced back to the beginning of the show. She was inspired by the film ‘A Story of Menstruation’, which was made in 1946. It was a film by Disney played in schools to teach children what to expect in menstruation, and the narrator’s voice was a kindly older woman. Rebecca said that she found the designs really interesting and cute.

- From the film, the inspiration came from a scene where a woman cried into her arms but in the reflection of her mirror, she straightens up and starts smiling before going out dancing. The narrator says: “Don’t forget that people are around you and you’ll have to be more pleasant if you want people to like you”. The scene passes by and it ignores that fact that the woman was crying earlier, because she’s now seen being ‘correct’. This is the voice and the feeling that she went for with White Diamond and Homeworld.

- Homeworld is inspired by Busby Berkeley, and White is inspired by Hedy Lamarr in Ziegfeld Girl and Nell Brinkley drawings, all within an era where women were seen as beautiful pieces of furniture. Rebecca states: Women are like lamps, smiling and there, part of the scenery. It all originates from the idea that people thought it was lovely and seen as an escape from reality.

- Those early inspirations were also used for the wall gems- the idea that people are in the background as if turned to stone and function solely as architecture. These faces we see in the architecture are gems and that’s their function.

- White has always been associated as a mother, especially in terms of her storyline with Steven in this arc, and how gems are viewed as her children. This arc wanted to being to explore her relationship with them.

- Rebecca says that White’s way of thinking is that she is everyone and everyone is her. She considers herself the default white light that passes through other gems, so when she sees gems absorb other colours from that light, she considers it a variation of her but lesser. In that way, she has no identity at all because she considers herself just light. She feels that people can be turned into her because they are all the same.

- Rebecca also stated that White is wrong about how she views the world and herself. It’s an antithesis to Rose’s journey- expression and repression. She lives in a delusion that everything is fine but it isn’t.

- Matt and Ben said that the whole episode was balanced by ensuring that every single character got their moment. It was an accumulation of ideas from over the years that they tried to fit into one episode, such as Amethyst greeting Jasper after she was uncorrupted. They felt they did everything they wanted to do before they left.

- All past episodes, especially for Diamond Days, were made to build up to the scene with White and Steven where she pulled out his gem. Mirror Gem is the first time they introduce the concept that a sentient gem can be trapped inside an object and that object is Steven. They’ve been planting hints that Pink may be trapped inside him ever since.

- From the beginning, they’ve wanted there to be doubt that Steven was his own person and have the audience question if Pink/Rose could still be alive. Even when the gem was pulled out, they still wanted the viewer to doubt if he was Steven. They planted enough hints that the viewer would think it could go either way.

- Between the crew, the hottest debates were about the storyline between Steven and Rose/Pink, about who Steven would be if they were separated. One of the most recent arguments was about Steven’s gem self and the fact he was devoid of any feeling, that there was none at all. That emotion came from Steven.

- Rebecca had planned the split perspective scene since the start of development and storyboarded it early in the process. It’s still from Steven’s point of view. Ian noted that if the show wasn’t completely from his perspective, it wouldn’t work. The split perspective was to also represent how torn and disoriented Steven was in that moment.

- Pink Steven is him as a default. If you take away his personality and emotion, he is empty. He’s been separated from his humanity and all that’s left is power. There have been nods to this in the past by showing how his power is greater because of his humanity and his capacity to love.

- Ian said that Rebecca has always had the idea of the final confrontation being about Steven’s relationship with his powers and that connection showing who he really is. Steven wants that human side of him, even if it slows him down, because it’s what makes him who he is.

- The scene of Steven returning to himself was originally written for episode 10. It was going to be a part of Giant Woman where they establish fusion.

- Rebecca confirms that James Baxter animated the scene where Steven reunites with Pink Steven. She met him by doing a drawing for his daughter’s birthday.

- The fusion sequence with the two Stevens was the ultimate princess trope- a rotating dancing scene specifically boarded by James Baxter. He completed the whole sequence himself apart from the inking.

- Ian mentioned that he wanted the uncorrupted gems scene for a long time. He said they always knew the arc would come back to the corrupted gems as that was the original conflict of the series, but now they finally get to see it through.

- On top of that, Ian went through every single episode that had a corrupted gem and designed their healed versions, while Rebecca added some of the quartz designs. He mentioned that the longer they were in their ‘monster’ form, the more they will look like that form, even when they’re healed. That’s why several of the healed gems look more like their original designs.

- Rebecca added that Ian helped with the fusion designs and their sequence, as that was a wishlist moment for him. He wanted Steven to fuse with all the gems in a row.

- Ian said that he had been most excited about Rainbow 2.0 and that Colin Howard had done most of the groundwork already.

- Rainbow is they/them and he/him, and Sunstone is they/them and she/her.

- Rainbow 2.0 is mixed with Pearl’s properness and Steven’s pension for making jokes. Rainbow 2.0 loves to make puns and is a throwback to Steven’s puns in the earlier series. In the episode, Ian also came up with the idea that RQ 2.0 could ride their umbrella and have a rainbow shoot out of the end- a reference to Pearl being able to shoot lasers out of her spear.

- With Sunstone and Rainbow 2.0, they wanted to be able to show common traits in Sardonyx. The break in the fourth wall comes from Garnet. but loving to hear themselves talk comes from Pearl. Steven enables the both of them to embrace their silly sides.

- The ship foot falling on them was a slight reference to Monty Python but also a reference to the giant foot mentioned in Arcade Mania.

- Rebecca stated that the song Change Your Mind was not written for the show, but a personal song she wrote while fighting for the wedding arc. She was hesitant at first to include it.

- Change Your Mind isn’t for the end of the Steven Universe franchise but for this arc, Ian mentions. He adds that even though it was written for the process of including the wedding, it perfectly captures the theme of the show. As a coming of age story, Rebecca notes that this is something that had to happen for Steven to start making decisions for himself.

· Rebecca also admits it has been hard to write for Steven because he always puts others before himself. It’s always about what others want and what he thinks they want. However, he finally comes to a realization in this arc that he doesn’t have to be anyone else other than himself or pamper to other’s expectations.

· Ian states that this arc was incredibly important for Steven’s development, in terms of who he is, who he thinks he is, and who others believe him to be. Moving forward, everything will be different from Steven’s perspective. There’s going to be more but it will have changed, because Steven has changed.

Wednesday, January 23, 2019

New Dragon Ball Super episodes announced at NATPE Licensing Convention


UPDATE: Toei Animation has denied of any plans to produce new episodes of Dragon Ball Super at this time. 

UPDATE 2: Dragon Ball super fan and Youtuber Geekdom 101 has made a tweet refuting Toei's denial of new Dragon Ball Super episodes.


Original Story is below:

Toei made an announcement at the NATPE (National Association of Television Program Executives) convention in Miami regarding new episodes of Dragon Ball Super, among other anime projects. Here's a highlight image of the announcement provided by Kanzenshuu:

There is still no set date as to when the new episodes will be released. However, the current GeGeGe no Kitaro anime series (which took over DBS's timeslot) is near the end of its run with 10 episodes or less left to go as of this writing. As there is yet to be an announcement of a new series to replace GeGeGe no Kitaro come April of this year, there is a small possibility that Dragon Ball Super may return to that timeslot. DBS debuted on Japan's Fuji TV on June 20th, 2015, just a little over two months after the theatrical release of Dragon Ball Z: Resurrection F.

Sunday, January 20, 2019

Dragon Ball Super: Broly's Box Office Performance in The US


So the weekend Box Office numbers in the US are in, and as you can see in the photo, Dragonball Super: Broly made quite a good amount of money in its debut. It's also one of only 2 new releases that made the Top 10.

I've been reading a lot of posts of DBS: Broly's performance in Facebook and a lot of them try to make the narrative that it had earned a lot more money than its competing movies, especially animated films. Of course, a simple Google search would reveal that is not the case. What IS certain is that it has surpassed Resurrection F's near $65 million worldwide gross, making DBS: Broly the highest grossing Dragonball film of all time. It is also currently the highest grossing film from Toei, which produces the anime.

What's more interesting is that it is on route to making the $100 million gross mark - something the Dragonball movies have never done before. The last film that earned it was last year's Dectective Conan: Zero The Enforcer sitting at $106 million, while Pokemon: The Movie 2000 is the 10th highest grossing anime of all time with around $134 million. Both Toei and DB fans would be extremely happy if DBS: Broly's BO performance manages to surpass these two movies before the end of its run.

Saturday, January 19, 2019

Wreck It Ralph Duology Review


Well, new year, a new set of movies, shows, and whatnot I can dig myself into if I so choose. But also more stuff that I tend to miss out on for a variety of reasons. One of them was Disney’s Wreck-It Ralph from 2012 (I’m awfully surprised that it took me 7 years to finally give notice to this movie). And given that the recent sequel was out for awhile in theaters, and soon to be released on DVD and Blu-Ray, I decided to give the Wreck-It Ralph Duology a shot.

Now I am certain from my own perspective that there are other people who have not seen Wreck-It Ralph. So I’ll break it down to you: it’s set in a world where video game characters have a life of their own beyond their programming. So when the a local arcade’s closed, the characters spring to life during after-hours and live out and socilaize like pretty much any other normal human being.



We are introduced to our main protagonist, Ralph, the villain of the fictional video game “Fix It Felix Jr.”, as he is tired of playing the villain and being treated as one beyond the game by its local populace. In an attempt to get on their good graces, Ralph goes beyond his video game world to seek out a medal as proof that he’s one of the good guys. This results in an unintended consequence of Ralph’s game being shut down, thus the danger of erasing that game’s world and its population, prompting Ralph’s rival Fix It Felix Jr. to look for Ralph and bring him home.

Ralph’s journey has him end up in another game called Sugar Rush, where he meets the movie’s secondary protagonist, a little girl named Vanellope von Schweetz. Together the two concoct a plan to help Vanellope win the race on Sugar Rush and present Ralph with the medal he needs. But Sugar Rush’s King Candy plots to ensure Vanellope doesn’t even get to finish the raise at all costs.


The main selling point of Wreck-It Ralph is its various references to video games throughout history, and is quite the nostalgia trip for someone like myself who has played games like Sonic The Hedgehog or Street Fighter II back in the day. It does gradually transition to the plot, and despite that there’s a lot going on, it’s still easy enough for younger viewers to grasp into. I in particular love the chemistry between Ralph and Vanellope, which is enhanced further by their respective voice actors, John C. Reilly and Sarah Silverman.

In 2018, Disney released Ralph Breaks The Internet, the sequel to Wreck-It Ralph. As the name suggests, the sequel goes beyond the video game references and into the internet and social media. In this movie, Ralph causes a freak accident in Sugar Rush that resulted in the game’s steering wheel in the real world to end up broken. The game is thus shut down and its population forced to seek refuge in other video game worlds. Ralph and Vanellope learn that the only remaining Steering Wheel replacement is found on eBay. So the two journey to the World Wide Web to find the steering wheel, deliver it to the arcade, and put Sugar Rush back in order. Of course being two video game characters who don’t know a thing about the real world, let alone the internet, hilarious shenanigans are about to come their way – and my god there’s a ton of it.


Ralph Breaks The Internet is essentially its own version of Shrek 2. The latter gained fame in that its comedy is from the numerous pulp culture references you find throughout that film. In Ralph Breaks The Internet, the references are through internet culture. And given that the majority of the human population has experienced the internet at one point, you can easily spot the reference and have quite a laugh at it. This is added further later in the film when Vanellope encounters the Disney Princesses (all reprised by their respective voice actors) and poke fun at the tropes those films have. I’m also surprised the film delves into a bit of dark comedy in the mid-credits scene.


If there is one thing I do have an issue with the sequel is that it lacks an actual antagonist. Instead, the conflict this time is the characterizations of Ralph and Vanellope, which has an impact on their relationship that gradually results in the name of the title. Ralph does have a knack for causing a lot of trouble even with his good intentions, which makes him his own worst enemy. That said, the focus on character development for Ralph and Vanellope is executed very well, and the emotional resolve between the two near the end of the film is quite heart-warming, and also a coming-of-age progress so to speak for the two characters.


If I were to choose, I’d pick the 2nd film as it’s the funnier of the two. I just wished it had more references for me to look at. Regardless, these films are worth watching even if you’re not a fan of gaming or the internet. It’ll be another 6 or so years before we see a third film, but I don’t mind at all. The Wreck-It Ralph films are pretty fun and I can’t help but ask myself why I missed out on these films for so long. On a scale of 1 to 5, I give both films a 4 out of 5.

Friday, April 13, 2018

Full Confession: I've been writing a comprehensive review for Dragon Ball Super's Universal Survival arc for quite awhile now and it's still a work in progress even though a few weeks have passed since the end of DBS. I find it quite difficult to provide constructive criticism towards a franchise like Dragon Ball without succumbing to fanboyism, not to mention dealing with a fanbase that is similar to those from Steven Universe and Rick & Morty, if you know what I mean. In a way, I'm starting to feel what it's like to be in the shoes of George R. R. Martin, the creator of Game of Thrones.

In short, the complete review won't be out until a few more weeks later when I get a clearer head on getting back to writing about it. I'll try to have it ready before the end of April. But that's just a very rough estimate and anything can happen between now and the end of the month.

Thursday, March 22, 2018

Final Four Episode Titles of Adventure Time revealed


From the Adventure Time subreddit, which got the info from CN Korea's Customer Service, the final four episodes of Adventure Time (compiled under the title "The Ultimate Adventure") has its four titles revealed:
  • Back Then.
  • Nowadays.
  • Tomorrow.
  • Come Along With Me.
No release date yet of the finale as of this writing.

The previous four episodes of the show's final season (Blenanas; Jake The Starchild; Temple of Mars; Gumbaldia) were aired on Cartoon Network USA on March 18th of this year, with the digital releases a week or two before.